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I experienced that thrill with Fear and Other Stories(Wayne State University Press), a collection of nine short stories by the Yiddish writer Chana Blankshteyn.I have not read them in the original, so I must rely on translator Anita Norich, trusting that the modernist, even post modernist, mode of expression in English accurately conveys Blankshteyn’s Yiddish. It is always a thrill for me to recognize the scope of an artist a smattering of whose work I have read only in niche, Jewish journals. It is as if these brief tales were composed yesterday, and they will be as stunning tomorrow as they were in 1939, the year their author, Chana Blankshteyn, died. In the end, As It Began won’t win any prizes for poetry, but I tip my cap to how much information it packs into its prose. So, while a casual fan might not care one way or the other, as a completist I was ultimately won over.
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If any other Queen biography (including Blake’s) included these morsels, I missed them.
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I quickly lost track of how many times I stumbled upon some interesting Queen factoid, asked myself, “Wait, did I know that?” and then thumbed through my ‘92 edition only to find that the tidbit was in that version too, I’d just forgotten about it. Not the most exciting read really, but I must admit that Queen: As It Began is impressively thorough. On the other hand, Smith (head of the Queen International Fan Club for 40 years) and Jenkins (Queen super fan and liner note scribe) supply a dry and not at all artful telling of the band’s career just paragraph after paragraph of “On this date Queen did this, on that date Queen did that, at a latter date Queen did another thing.” Now, thirty years after initial publication, Jacky Smith and Jim Jenkins have returned with an “authorized and revised” edition of their tome and Is This the Real Life? remains the champion.īlake’s book is filled with color and context. Not the most exciting read really, but I must admit that Queen: As It Began is impressively thorough.įirst published in 1992, Queen: As It Began was the go-to book on their royal highnesses for nearly 20 years, until Mark Blake’s Is This the Real Life?: The Untold Story of Queen came along and stole the distinction in 2010. Washington’s deft acoustic guitar playing throughout adds appealing texture to the group’s sound, and she and Gates harmonize beautifully on “Because.” Pignataro and Werner are both exceptional soloists - as on the saxophonist’s “Farfallina” (Italian for “little butterfly”) - and Gates’ well-articulated acoustic bass is always muscling the music forward. The music is soothing and gentle on the ears, a good soundtrack to a candlelight dinner, yet not at all soporific. And while there is plenty of singing - Washington bringing a surprising degree of hipness and style to the melodramatic O’Sullivan tune is a highlight-according to Pignataro, “I want to return to the old tradition of ‘singing’ beautiful melodies through the horn, as master story tellers such as Lester Young and Stan Getz did.” Rich in love songs, the album is both modern and romantic. The recording itself is from a virtual live concert held at WGBH’s Fraser Studio in July 2021, an event sponsored by JazzBoston. King’s “Stand By Me”, Gilbert O’Sullivan’s “Alone Again Naturally,” and the Beatles’ “Because.” The rest are originals by Pignataro and Werner, the “lyrics” of which are poems by Pignataro spoken by Washington, whose voice is as expressive speaking as it is singing. The CD’s 12 tracks include covers of a diverse selection of pop songs from the 19s: Stevie Wonder’s “Send One Your Love,” Ben E.
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Werner and Gates also provide backing vocals, while Pignataro’s arsenal includes soprano, alto, and tenor saxes. For Awakening, his just-released second recording for Zoho Music, he has assembled a multi-generational, multi-ethnic, multi-gender group of Berklee colleagues: venerable pianist Kenny Werner, singer-guitarist Nadia Washington, and bassist Devon Gates. Saxophonist Marco Pignataro has served as managing director of the Berklee Global Jazz Institute at Berklee College of Music in Boston since 2009. Rich in love songs, Marco Pignataro’s Awakening is both modern and romantic. Each month, our arts critics - music, book, theater, dance, television, film, and visual arts - fire off a few brief reviews.